Thursday 8 May 2014

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CHARMS ON A WOMAN'S WAIST - A collection of African Proverbs

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THE HOMECOMING - A political satire

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HELP FOR STAMMERERS - A simple but practical guide on speech therapy

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Wednesday 26 February 2014

A Book Review

A REVIEW OF THE HOMECOMING BASED ON THE NIGERIAN PRINT EDITION

Written and presented at the book launch by Williams Ogbidi - FNIPR

THE HOMECOMING AND THE FACE OF REALITY


There is a breath of fresh air in the writing of The Homecoming as the author has carried out extensive study to capture reality for his readers, encapsulated in fiction.

If a just and happy society is to be realised everybody needs to have a proper education and understanding of what constitutes life's priorities and challenges. Such education and challenges can readily be acquired from Aihebholo-oria Okonoboh's The Homecoming - which gives a deep insight into how shallow and selfish disposition of leaders and followers can constitute a bane to the socio-economic development of their communities.

The book divided into three sections of twenty-seven chapters and spread across 258 pages contains rich experiences on issues to be resolved if the development of the rural areas and quality life for our people are to be achieved.

The author was quick in introducing his hero and setting with attractive visual reflection on the cover, verbalized on pages 13 and 14 of the book: Ekoyata was standing under a mango tree in front of a mud bungallow, one hand thrust down the pocket of his linen caftan. The house was in a very bad state... As he stood in front of the ramshackled mud building crowned with rusty zinc, it all dawn on him that this historical account bespeaks utter neglect and disappointment.

Unlike Lenrie Peter's poetic rendition in We Have Come Home, where those "From the bloodless wars, with sunken hearts" had their "Boots full of pride," Ekoyata's lot in The Homecoming was different. On page 22, the author posits: He... Was repatriated from the United States on issues not more than racial bias. And he decided to settle in his hometown.

Ekoyata's ambition was to assist in the development of his land of origin and improve the welfare of his people. His relocation to the rural area was an encounter with reality: Water was not running in the pipes meant for it. Schools had leaking roofs. Roads were becoming impassable. Electricity was painfully epileptic.

Ekoyata's performance is an illustration and a challenge on how both young and old, man and woman, boy and girl, can all convert adversity to prosperity, if the right priority is set and pursued with unrelenting determination and focus.

The problems of Ekoyata's town are similar to Nigeria's problem. Or is there anybody, family, harmlet, village, town or city that is insulated? As enthused on page 14: Health care was inadequate for the large population who were farmers. Hence people were dying young in large numbers from preventable diseases. Youths were restive and moving to towns and cities, buildings collapsing as the rural areas were abandoned and neglected. The fear of witches was rife, corruption everywhere with assassins on the prowl. Development projects had all failed.

A sample of the neglect which fuels rural-urban migration with attendant problems is presented on pages 36 and 37 with unanswered questions: Is it really true that people could suffer that much and the government pretends that all is well? No pipe water? And this question become polemic in the face of the budgetary provision for failed water projects in Nigeria, over the years. The worry in The Homecoming is a resonance of the late Fela Anikulapo Kuti with his lone voice in the wilderness crying for water and light that have remained elusive in the land.

Eguabor's argument on pages 46-50 is insidious, placing care for the death as priority over the living. Or how else can we explain the expensive and provocative burial ceremonies now dotting the land where access to food and medicine is a luxury?

The rural response to failed and abandoned projects is resignation as revealed in page 67: they spread mats and canvas on the roads to dry corn grains, rice paddy, cassava chips, yam chips... And melon...

With deceit in Town Development Union akin to budgetary allocation without corresponding performance, the people might resort to self-help as feared by the author on page 154: We will demand the money from them, the money we have payed in the past for the water project. They will give us and we will use it by ourselves and build the water tower.

Any oppressor in any community like the leader on page 259 is put on notice: Any moment, they would close in around him, pounce on him and pound him to death. A word is enough for the wise.

What more do we need from The Homecoming!

The Homecoming is not all about problems. It is also rich in proverbs, language, dreams, adventures, romance and social commentary. Awakening the reader to native wisdom are such proverbs as "A short woman and contention, both of them are companions; If the omen of death is calling a dog, the dog's sense of smell stops working; Anyone who plays upon the hole of a cobra shall with his own mouth accuse himself and excuse the cobra; It is better to tie the head and hair together in one scarf; A halk that preys on a tortoise surely sleeps in hunger."

The author's descriptive power also comes to the fore in Ekoyata's parley with his aunt Obehi on page 33: "I will not lie against him so that my breasts that I gave him to suck do not kill me," she showed the breasts to him and left them; they were like a pair of slippers against her chest.

Ekoyata's romance with Gloria on page 232 melted into nostalgia under the scorching heat of maturity. Feel the move: Gloria felt flattered, though she knew she was beautiful. She often fell in love with her own image anytime she viewed herself in a full mirror. But she shook her head in refusal because it was Ekoyata who mentioned it.

The drama on pages 327-341 on hostage taking and rescue techniques are better real than imagined.

Some questions still remained to be answered. Why do big men and rich people run away from their villages and towns? Why do children live in opulence in the cities neglecting their aged parents to suffer and die? What standards differentiate villages from towns and cities? Why are morgues now thriving businesses? Is carrying of sachette or bottled water along on visits to the village the solution to contaminated ponds in the rural area? How were the children who nag habitually: no money, no money, able to muster resourses for expensive burial ceremonies for their parents who die of curabble, even preventable sickness? What role can the police and traditional rulers play in the emancipation of our rural dwellers?

The Homecoming provides the answers in a commendable way.

Aihebholo-oria Okonoboh in action packed naration presents The Homecoming to his audience in a simple and easy-to-understand language. The cover is attractive and metaphoric.

Though veneered in fiction, The Homecoming is a reality which all of us need to face. Everybody living in the city comes from somewhere down town. Running away is no solution. Like Ekoyata, we need to surmount obstacles to tackle the rot in our roots.

The author did not betray himself as a new comer to the literary field as he has succeeded in removing himself and giving all the actions to his characters who achieved tremendous success in arousing in us the consciousness that Aihebholo-oria intended - that of making us responsible citizens.

With skillful use of conflicts in values, ideas and personalities, the author is able to marry both subject and theme with a positive attitude. Both in intentions and accomplishment, Aihebholo-oria's hero has a clear message to all Nigerians both young and old, that we need to return home to our senses and contribute meaningfully to our emancipation and prosperity as a people and as a nation. Otherwise, the much flaunted Seven-point agenda, Millenium Development Goal and Vision 2020 would become a mirage.

In my view, the book needs a few editorial attention to enhance the preservation of its value. In the reviewed edition, I would like to see a foreword and a content page if these are still in the literary traditions. I would also like to see the correction of the slang on page 20 paragraph 2 line 5 and beer saloons on page 30 line 1, to change to beer parlours.


In all, The Homecoming has succeeded in replacing despair with hope. It is our reconciliation with ourselves and our communities. It is our redemption if the dividends of democratic governance are to come our way. I recommend it. 
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